The Eyes Of My Mother Full Movie Part 1

Korean Movie Reviews for 2. The year 2. 00. 9 opened in difficult circumstances, to say the least. With a global financial crisis exacerbating a two- year old crisis in the Korean film industry, expectations for the year were low. The situation was particularly tough for mid- sized, genre- based commercial films, which in the previous few years had lost money for more often than they had earned it. In better shape were Korea's internationally- recognized directors, with both Park Chan- wook (Thirst) and Bong Joon- ho (Mother) lining up high profile spring releases.

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Hong Sang- soo also turned in a new film Like You Know It All, shot for a tiny fraction of his usual budget. All three films would be invited to various sections of Cannes.

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Surprisingly, low budget independent films were also showing considerable life in the midst of the crisis. Daytime Drinking and Breathless, two debut films shot on tiny budgets, earned critical praise and an encouraging degree of commercial success.

Most astounding, however, was the smashing success of the low budget documentary Old Partner, about an elderly farmer and his cow, which as of May 1 was the best grossing film of the year with close to 3 million tickets sold. May. 5)     Reviewed below:    Daytime Drinking(Feb 5)  - -  Marine Boy(Feb 5)  - -  The Naked Kitchen(Feb 5)  - -  Handphone(Feb 1. Private Eye(Apr 2)  - -  Breathless(Apr 1. Thirst(Apr 3. 0)  - -  Like You Know It All(May 1. Castaway on the Moon(May 1. Mother(May 2. 8)  - -  A Blood Pledge(Jun 1.

Bandhobi(Jun 2. 5)  - -  Chaw(Jul 1. Haeundae(Jul 2. 2)  - -  Possessed(Aug 1. The Pot(Aug 2. 0)  - -  Treeless Mountain(Aug 2.

Let the Blue River Run(Oct 8)  - -  Paju(Oct 2. A Brand New Life(Oct 2. Lost in the Mountains(Nov 1.

The Actresses(Dec 1. Woochi(Dec 2. 3). The Best Selling Films of 2. Korean Films. Nationwide. Release. Revenue. Haeundae. 11,3. 97,7.

Jul 2. 28. 1. 0. 2bn. Take Off. 8,0. 92,6.

Jul 2. 95. 7. 5. 7bn. Woochi. 6,1. 00,5. Dec 2. 34. 4. 0. 3bn. My Girlfriend is an Agent. Apr 2. 22. 6. 3. 8bn. Running Turtle. 3,0. Jun 1. 12. 0. 6. 2bn.

Mother. 3,0. 03,7. May 2. 81. 9. 9. 7bn. Old Partner. 2,9. Jan 1. 51. 9. 0. 8bn. Good Morning President.

Oct 2. 21. 8. 5. 6bn. Thirst. 2,2. 23,4. Apr 3. 01. 4. 8. 4bn. Closer to Heaven. Sep 2. 41. 5. 5. 8bn.

All Films. Nationwide. Release. Revenue. Avatar (US)1. 3,3. Dec 1. 71. 24. 8. Haeundae (Korea)1. Jul 2. 28. 1. 0. 2bn. Take Off (Korea)8,0.

Jul 2. 95. 7. 5. 7bn. Transformers: Revenge of the Fallen (US)7,4. Jun 2. 45. 0. 7. 0bn. Woochi (Korea)6,1.

Dec 2. 34. 4. 0. 3bn. The Meddler Full Movie Online Free. US)5,4. 31,4. 40*Nov 1. Terminator Salvation (US)4,5.

May 2. 12. 9. 6. 9bn. My Girlfriend is an Agent (Korea)4,0. Apr 2. 22. 6. 3. 8bn.

Running Turtle (Korea)3,0. Jun 1. 12. 0. 6. 2bn. Mother (Korea)3,0. May 2. 81. 9. 9. 7bn. Includes tickets sold in 2.

Source: Korean Film Council. Seoul population: 1. Nationwide population: 4.

Market share:   Korean 4. Imports 5. 1. 2% (nationwide)Films released:   Korean 1. Imported 2. 43. Total admissions:   1. Number of screens:   2. Exchange rate (2.

US dollar. Average ticket price:   6. Exports to other countries:   US$1.

Japan: 4. 2%)Average budget:   2. Complete List of 2. Releases with Box- Office Data    Daytime Drinking.

Hyuk- jin (Song Sam- dong), a recent returnee from the military service, is a shy and soft- spoken twenty- something guy. During a drunken mash- up with his buddies, his best friend Ki- sang (Yook Sang- yup: are these actors' names for real?) invites him to stay at his relative's guest house (called "pension" in Korea) in the remote resort town of Jeongseon, Kangwon Province. Next day, Hyuk- jin arrives at Jeongseon only to find himself stranded without his friends. He reluctantly spends the night in the town, in a wrong guest house, as it turns out. To add insult to injury, his awkward attempt to "pick up" the next- door neighbor (Kim Kang- hee) results in an ego- damaging brush- off by her thuggish companion (Tak Seong- joon).

But Hyuk- jin's troubles are far from over, as the weird locals he encounters, including a motor- mouthed woman with nasty temper (Lee Ran- hee) and a good- natured truck driver (Sin Woon- seop), begin to pose threat not only to his financial security and mental stability but perhaps to his chastity (?). Filmed extremely cheaply (with the total budget allegedly under 1. Noh Young- seok with zero film- school background, Daytime Drinking won an audience award at the 2.

Jeonju Film Festival and landed a robust distribution deal, even though its box office performance did not measure up to the mind- boggling success of Old Partner, another extreme low- budget indie feature. Daytime Drinking is definitely not a good showcase of filmmaking skills on the part of director Noh: in some aspects it's downright amateurish. For instance, the camera seems to have trouble keeping a proper focus in some distant shots, resulting in blurred edges, as if we are seeing them through an opaque window. What's funny is that these scenes, usually showing Hyun- sik stranded in the middle of nowhere, make him, in the context of this rough- and- tumble but strangely charming flick, appear sunk in the middle of a fish bowl, amusingly illustrating the character's exasperation and, shall we say, dork- ish qualities.

The film is full of these even- its- goofs- are- hilarious moments. Outwardly Daytime Drinking could be mistaken for a low- octane parody of a Hong Sang- soo film (the main characters swig hard liquor like whales in both cases: well, this one is called Daytime Drinking after all, and no, we are not talking about afternoon tea here), but it's far loosely structured and plainly mounted, and its ultimately good- natured, deadpan humor is pretty unique, at least among Korean movies.

Song Sam- dong as Hyuk- jin, even though barely "acting" in the technical sense, serves as the perfect foil for the languorously surreal characters he runs into. Even when the troubles keep piling up, the doofus kid always stays one- and- a- half steps behind the right response, making his expression of slow- burn befuddlement, when done right, both droll and sympathetic. The film only loses its bearing in the last thirty minutes or so, when Hyuk- jin finally meets up with Ki- sang and visits the "right" "pension." This section features an embarrassingly inane "nightmare sequence," which probably could not have been done properly with the meager resources available to the crew, and the explanation of Ki- sang's real motivation that pivots on a disappointingly lazy storytelling device.