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Tamasha (film) - Wikipedia. Tamasha (English: A spectacle[4]) is a 2. Indian romanticdrama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala under his banner, Nadiadwala Grandson Entertainment. It features Ranbir Kapoor and Deepika Padukone in lead roles. The film score and soundtrack album were composed by A. R. Rahman, while lyrics for the songs were written by Irshad Kamil.

Filmed briefly in Corsica, Indian cities–Shimla, Delhi, Gurgaon, Kolkata; followed by two- day schedule in Tokyo, the film tells the story of character Ved Vardhan Sahni (played by Kapoor) in three stages–as a nine- year- old child, a 1. The film was released on 2. November 2. 01. 5 to mixed reviews by film critics.[5] However, they praised the performances of lead actors but criticised the unsatisfactory togetherness of the plot. Despite grossing over ₹8. Bollywood film of 2.

The film received nominations for direction, music and performances of the lead actors, notably Kapoor being nominated under Filmfare Award for Best Actor category and Irshad Kamil winning the Filmfare Award for Best Lyrics for his lyrical work to the soundtrack album of the film. The film opens with Ved (Ranbir Kapoor) and Tara's (Deepika Padukone) monotonous back stories as people in the corporate world.[clarification needed] A flashback shows, as a child in Shimla, Ved is fascinated by the stories narrated by a road side story teller (Piyush Mishra) who keeps mixing up his characters. The film moves to real time where Tara meets adult Ved, while both are holidaying in Corsica. They come up with an amusing verbal pact to keep their real identities undisclosed. They explore the island together. They pretend to be "Don" and "Mona Darling" and talk in filmy dialogues. When she realizes she is falling in love with Ved, Tara decides to leave Corsica despite the romantic friendship with him.

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The story flashes back to young Ved who questions the story- teller about the reason for happy times ending quickly and notices each story has a sad episode in it. Tara returns to Kolkata, India.

Tara's father (played by Nikhil Bhagat) hands over his tea business to Tara, she expands it by starting a line of tea boutiques, taking the company ahead.[7] She is off to Delhi for work and four years have passed. One day, Tara surprisingly meets Ved, who is now a product manager. They reveal their original identities. They plan for a date at a Japanese restaurant. She expects him to talk like the days in Corsica but Ved talks about business. She calls Ved up home to be intimate. Ved leaves for his home and next morning Ved wakes up on time, completes the morning chores, wipes the car, ignores the transgender on the way, lets a female colleague into the lift—all this happens on his way to the office.

He fixes a plan for meeting Tara again in the evening. Each morning to evening, similar incidents repeat monotonously. On Ved's birthday, he proposes to Tara but she is unhappy with the real- life Ved.

She declines the proposal. Watch The Foot Fist Way Youtube. Ved leaves for his home by an auto- rickshaw. The driver (played by Ishteyak Khan) narrates how his dreams of becoming a singer were crushed. Ved breaks down and his residual mental disorder is triggered.[8]An exacerbated Ved due to his psychotic break, ends up upsetting his boss with nonsensical presentation in a business meeting. Ved begs Tara to come back to his life. She indirectly informs him she is fixated in Ved's divergent personality from Corsica, not the matured Ved who lives by societal conventions.

Later Tara expresses her realization of hurting him and apologizes. Frustrated Ved leaves.

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Next day, Ved continues his office routine with a change, gives a diamond ring to the transgender and he gets evicted from his workplace for his continuous mindless behaviors. Ved comes back to Shimla and reveals he was jobless and wandering for six months. After a tussle with his father, Ved gains introspection from a reflection in the mirror, he realizes that to complete his own story, he needs to meet the old story- teller. The old story- teller criticizes Ved's irrationality, and confronts him to complete his own story. This opens Ved's eyes. Ved narrates his life story to his family members.

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Moved by this, his father forgives him for leaving engineering and lets Ved pursue his life as he wishes. Ved returns to Delhi and takes the diamond ring returned to him by the affectionate transgender. Tara, after finishing a business meeting at Oracle in Tokyo, heads for refreshment where she finds a note titled "Don Returns". Perplexed about Ved's presence, she moves around the office campus and Ved draws her attention with the "Don" personality from Corsica.

The film goes into a flashback and shows scenes from Shimla of a free spirited- young Ved, a college going Ved and an adult Ved. The film returns to present day (first scene of the film) where Ved and Tara complete the process of putting up an elaborated skit on stage (in continuation of the opening scene of the film) a spectacle which depicts of their own life story. Production[edit]Development[edit]"What ‘Tamasha’ is trying to say is that don't be satisfied with the stories you hear around you, create your own myth, choose your own story.

Sometimes in trying to belong, you lose your edge, you become blunt and you forget who you are unless someone comes to remind you, someone who has seen you at that time. It's not that simple because it takes the undoing of entire life's experience to get in touch with yourself and your wild energy." —Imtiaz Ali on his film, in an interview with Press Trust of India. After Rockstar (2. Imtiaz Ali began working on the project, collaborating once again with Ranbir Kapoor and A. R. Rahman.[1. 3][1.

Anushka Sharma was the original choice for the lead actress.[1. However she rejected the film saying the role role of the actress had minimal to do.[1. Later, Deepika Padukone was cast as the lead female in September 2. The working title of the project was The Window Seat.[1. In an interview with The Indian Express, Ali mentions, "It's that thought which crosses your mind when you are sitting by the window seat of a train and watching Ratlam go by and you think, what if I get down from this train? What life awaits me there?" He justified that outside this window, there is a mythical world where one can be what he wants to.

According to him, the window seat gives one a chance to drop their present life story and become a brand new person.[1. Later, the film was titled, Tamasha.[1. The troupe played by Kapoor and Padukone is one of the reasons for the film's title Tamasha as it refers to the Shakespearean monologue, 'All the world's a stage and all the men and women merely players'.[2. The title of the film stems from the lines by poet Ghalib–"Hota Hai Shab- O- Roz Tamasha Mere Aagey" that translates to, "Your most personal thought is your life's biggest Tamasha.[2.

Ali stated that the film is constantly associated with an artist who narrates his stories on stage.[4] In August 2. Teejan Bai was roped in to perform Pandavani and narrations of the Mahabharata for the film.[2.

In an interview with The Press Trust of India, Ali outlined the generalised storyline, "You meet a certain person and you are very enchanted by him. Watch Minions Dailymotion. He is free flowing and your type and then you lose touch.

Years later when you meet, he is absolutely somebody else."[2. Ali went on to add that the film isn't autobiographical but has minor moments from his personal life portrayed onscreen.[4] He was quoted saying, "Tamasha has that kind of love which makes a normal person extraordinary, which makes a commoner an artist." On the plot's inherent love story, he went on to add, "This is the kind of love through which you understand why you need a woman in life and how it takes you on a journey through which we identify ourselves."[4]Characters[edit]Ranbir Kapoor's character (as Ved Vardhan Sahni) is about a person who is enchanted by stories, grows up hearing them and expresses himself by performing them.