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The Turning Point (1. The Turning Point is a 1.

American drama film centered on the world of ballet in New York City, written by Arthur Laurents and directed by Herbert Ross. The film stars Shirley Mac. Laine and Anne Bancroft, along with Leslie Browne, Mikhail Baryshnikov, and Tom Skerritt. The film was nominated for eleven Academy Awards, including Best Picture. The script is a fictionalized version of the real- life Brown family and the friendship between ballerinas Isabel Mirrow Brown and Nora Kaye. Dee. Dee (Shirley Mac.

Directed by Herbert Ross. With Anne Bancroft, Shirley MacLaine, Mikhail Baryshnikov, Tom Skerritt. When her daughter joins a ballet company, a former dancer is forced. Watch the Brooke's Turning Point full episode from Season 2, Episode 3 of Lifetime's series Dance Moms. Get more of your favorite full episodes only on Lifetime. Rebecca’s Confession Full TV Size Rebecca doesn’t have two lives, but really three. There is Rebecca, the hard working intelligent corporate mom, there’s.

Laine) left the ballet company after becoming pregnant by Wayne (Tom Skerritt), another dancer in the company. They marry and later move to Oklahoma City to run a dance studio. Watch Hangman Download.

Emma (Anne Bancroft) stays with the company and eventually becomes a prima ballerina and well- known figure in the ballet community. While the company is on tour and performs a show in Oklahoma City, Dee. Dee and the family go to see the show, and then have an after- party for the company at her home. The reunion stirs up old memories and things begin to ravel.

At the party, Dee. Dee's aspiring dancer/daughter, Emilia (Leslie Browne), who is also Emma's goddaughter, is invited to take class with the company the following day. After taking class with the company, Emilia is asked to join the company but she does not immediately accept the offer as she wants to think it over before making her final decision.

Dee. Dee and Wayne decide that Dee. Dee should go to New York with Emilia, who is rather shy and doesn't make friends as easily as her younger sister.

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Meanwhile, their son, Ethan gets a scholarship to the company's summer program while Wayne and their other daughter stay in Oklahoma City. Once in New York, they rent several rooms in Carnegie Hall with Madame Dakharova, a ballet coach. Emilia soon starts a relationship with a Russian playboy in the company, Yuri (Mikhail Baryshnikov). Dee. Dee runs into the former conductor of the company and has an affair with him, which causes conflict between Emilia and Dee.

Dee. Meanwhile, Emma argues with Arnold, the choreographer, about giving her a better role in his new ballet, which he refuses and leads Emma to suggest Emilia for the role instead. It's also revealed Emma has been seeing a married man, Carter. During rehearsal, Emilia has an argument with Arnold and storms out, going to a bar and getting intoxicated. She then shows up for the performance that night still intoxicated and Emma takes care of her, which angers Dee. Dee. Emilia suffers when she sees Yuri getting involved with another dancer, Carolyn.

Emma and Dee. Dee eventually enter into major conflict. Dee. Dee resents that Emma dotes on Emilia, when she has criticized Dee. Dee for choosing family life over her career while Emma chose not to have children. Dee. Dee accuses Emma of being glad she got pregnant so Emma could play the lead in Anna Karenina, which Emma later admits is true.

Eventually, misunderstandings are settled, with Emma and Dee. Dee working things out after a physical altercation. Emilia is announced as the star of the next season, and she and Yuri make up and agree to a professional partnership and nothing more. Deedee decides she is content with her life and the decision she made to leave professional ballet to have a family. Emma accepts that her performing days are numbered and she must embrace a different role within the company. Both Dee. Dee and Emma step onto the stage together and reminisce together.

Shirley Maclaine as Dee. Dee Rodgers – a former ballerina with the company (based on Isabel Mirrow)Anne Bancroft as Emma Jacklin – an aging prima ballerina (based on Nora Kaye)Tom Skerritt as Wayne Rodgers – a former dancer with the company, married to Dee. Dee (based on Kelly Brown)Leslie Browne as Emilia Rodgers – a young ballerina beginning professional training and becoming a woman (based on herself)Mikhail Baryshnikov as Yuri Kopeikine – Emilia's playboy love interest. Martha Scott as Miss Adelaide – a former dancer, now head of the company (based on Margaret Craske)James Mitchell as Michael Cooke – the company artistic director (based on Jerome Robbins)Alexandra Danilova as Madame Dakharova – a ballet coach.

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Lisa Lucas as Janina Rodgers – sister of Emilia (based on Elizabeth Brown)Philip Saunders as Ethan Rodgers – brother of Emilia who takes ballet himself (based on Ethan Brown)Antoinette Sibley as Sevilla Haslam – a rival ballerina. Marshall Thompson as Carter – a married man Emma is dating. Starr Danias as Carolyn – a rival ballerina that Yuri leaves Emilia for. Anthony Zerbe as Joe "Rosie" Rosenberg – a married former conductor of the company who Dee. Dee has an affair with. Daniel Levans as Arnold Berger – a headstrong choreographer with the company. Watch NYC 3_94 Online (2017). A number of actresses were offered the roles of Emma and Dee.

Dee before Maclaine and Bancroft signed on, including Audrey Hepburn, Grace Kelly, and Doris Day.[2]Bancroft had no previous dance experience, while Maclaine had started her career as a dancer of ballet and other types. She herself appeared on Broadway performing in the musicals Me and Juliet and The Pajama Game. The title "The Turning Point" is a double entendre, meaning a big change in a person's life and being on pointe. Choreography for the film was done by Alvin Ailey and George Balanchine, among others.

Leslie Browne and Mikhail Baryshnikov are the only ones who give a full- bodied acting performance and dance the full sequence. Background[edit]Isabel Mirrow Brown and Nora Kaye were childhood friends. Their parents had immigrated from Russia around the same time and they lived in the same New York City brownstone building. Kaye was a few years older than Mirrow and encouraged her to train.

Nora Kaye was in a relationship with Jerome Robbins in the early 1. Robbins was also a known bisexual.[3]Isabel Mirrow danced with the American Ballet Theatre from 1. Nora was with the company from its inception in 1. Unlike the film, Isabel did not get pregnant while she was with the company; however, during this time Isabel married fellow dancer Kelly Brown, who was widely sought after. Margaret Craske was the head of the company when Isabel and Nora were there.[5]Kaye continued to dance in New York with other companies and became a more prominent figure in the ballet world, while Isabel had stopped performing to marry and have children. Their first child, Leslie Browne, born in 1. Nora Kaye's goddaughter.

Kaye went on to marry director Herbert Ross in 1. The two couples were close friends, along with Arthur Laurents. Kelly Brown, Ross, Kaye, and Laurents all worked together in the Broadway musical I Can Get It for You Wholesale in 1. In his autobiography, Laurents wrote that in the 1. Nora Kaye.[7]In 1.

Kelly Brown decided to move his family to Phoenix, Arizona (changed to Oklahoma City in the film). By this time he and his wife had aged out of performing. Isabel Mirrow Brown was not thrilled to leave her native New York for Arizona, and the move caused strain in their marriage.

When their daughter Leslie auditioned and was accepted to train back in New York in the School of American Ballet (SAB), Isabel moved back to New York to watch over Leslie, who was still a teenager. The film depicts Isabel's experience entering back into the dance world after living in Phoenix and having four children (three in the film). In real life she eventually divorced Kelly Brown, who died in 1. While in Arizona the Browns had kept in touch with their friends Nora and Herbert. Later in the mid 1.

Brown family was developed by Arthur Laurents. Ross directed the film and co- produced with his wife. Ross, Laurents, and Kaye never had children and took a special interest in Leslie Browne as she grew older.

The script was a fictionalized version of the Browns' life and the long friendship between Isabel and Nora. The fictional parts primarily concern the character Yuri, who was created as a love interest for Emilia.